150 BPM Delay Times
Every tempo-synced delay and reverb time at 150 BPM, in milliseconds — normal, dotted and triplet. The chart is pre-filled for 150 BPM; change the tempo to recalculate, and tap any value to copy it.
| Note | Normal | Dotted ·1.5 | Triplet ·⅔ |
|---|---|---|---|
| Whole1/1 | |||
| Half1/2 | |||
| Quarter1/4 · beat | |||
| Eighth1/8 | |||
| Sixteenth1/16 | |||
| Thirty-second1/32 |
Tap any value to copy it to your clipboard. Switch to Hz to sync an LFO.
Delay & reverb times at 150 BPM
At 150 BPM one beat (a quarter note) is 400 ms, so an eighth-note delay is 200 ms and a sixteenth is 100 ms. Dial any of these into your delay or set a tempo-synced reverb's pre-delay to the sixteenth and its tail to fade around a beat or two. The full chart above covers every note value.
The dotted-eighth delay at 150 BPM
The famous dotted-eighth delay — the shimmering, off-grid repeat behind countless guitar and pop productions — is 300 ms at 150 BPM (1.5× the 200 ms eighth note). A triplet delay is ⅔ of the plain note instead, giving a rolling, galloping echo; both columns are in the chart.
150 BPM in context
One hundred and fifty BPM is fast and relentless — the grid of harder dance styles, double-time trap hats and psytrance’s lower end. Halve it and it feels like a heavy 75; it is a great tempo for pushing your practice speed. Practise against it in the 150 BPM metronome — the only one with named human feels.
Find your BPM
Not sure of your track's tempo? Tap it out and it sends the BPM straight to the full delay calculator. Switch the chart above to Hz (it's just 1000 ÷ ms) to sync an LFO, tremolo or auto-filter.